Mimicking Nature

[Mimicking Nature] is a body of work that investigates how human beings understand and interact with nature in educational institutional spaces, such as zoos, aquariums, and museums. Designed to replicate the natural world, these institutions serve purposes including education, entertainment, and natural and historical preservation.
    In The Temporality of the Landscape, Tim Ingold describes landscape as a dynamic and emergent process of transformation and adaptation, arising from the ongoing interactions between people and their environments. Drawing from this perspective, this project examines how landscape is influenced by collective consciousness, functions as a dominant carrier of human experience, and constructs knowledge and meaning. The project specifically focuses on photographing how these institutional spaces are formally created, especially how they are oriented and developed. Considering factors such as weather, light, and air, these observations reveal how humans collect, preserve, and display natural subjects with cultural and historical significance.
Photography, Installation


© Zuya Yang 2025Lens-Based Artist, Bookmaker